Sunday, April 29, 2018
Today, at the First Baptist Church of the City of Wahington DC, Lou Schreiber played an extended Postlude, “Contrasts,” a rather dissonant march which seemed to resolve to D Major, by Emma Lou Diemer.
A quick review of YouTube shows a larger repertoire of works by her (including piano sonatas), comparable to the output of ASmy Beach.
The anthem “Christ, whose Glory Fills the Skies” was also performed.
On April 15, the MCC Nova Music Ministry in Fairfax VA performed “Camina Pueblo de Dios” (“Go Forth People of God”) in Spanish.
Tuesday, April 03, 2018
This year, Easter sunrise for me was an Easter Saturday drive to Shrinemont (Orkney Springs VA) and then Wolf Gap (Big Scloss), near Wardensville W Va.
The First Baptist Church of Washington DC had the usual celebratory Easter service at 11 AM.
Everybody stands for the Hallelujah Chorus in D Major (Part 2), which actually depicts the ascension. But I’ve always liked the Amen Chorus (Worthy of the Lamb, followed by a great fugue), which raises to pre-Mahler (Resurrection Symphony 2) thrills at the very end, of Part III. It sounds “greater” as a music concept to my ear.
Above is Hogwood’s performance. The Amen chorus represents to resurrection of the dead and the glorification of Christ in Heaven. This is not to promote one religious interpretation of the Afterlife, and I have my own ideas about that.
Earlier, the Choir and orchestra had played K. Lee Scott’s “Joy to the Heart”, a great paean in D-Flat Major.
A guest organist concluded the service with the Toccata finale from Widor’s Organ Symphony 5.
I missed the preludes, but here are the works.
The famous excerpt from Telemann’s “Musique Heroique”; "Rejoice” by Healey Willan; a Prelude in C (from a Sonata) by Corelli, and a Paraphrase and Variations on a Theme of Handel by Alexander Guilmant.