Saturday, February 24, 2018
New CD from pianist Pandolfi offers an unusual Mozart sonata
At a concert in Alexandria, VA on Sunday, Feb. 18, 2018, I did hear pianist Thomas Pandolfi perform Mark Wilson’s Piano Concerto, but today I wanted to do a brief write up on his CD “The Space Between”, “Thomas Pandolfi’s Germanic Repertoire”.
The CD starts with Beethoven’s Pathetique Piano Sonata #8 in C Minor, which I have covered here before. I’ve always perceived this as a particularly laconic work compared the Beethoven’s later works in this key.
There follows a miniature by Robert Schumann, the Romance in D#, Op. 28, #2, and then the Impromptu #4 in A-flat, Op. 90, by France Schubert. This one is very well known (it was in the Sherwood Music course when I took piano) and it starts out with a long section of arpeggios in A-flat minor, with the C-flat (enharmonic to B natural) entered manually. Imagine G# Major later! The circle of key signatures was so easy to learn.
The most interesting work on the disc is the Piano Sonata #4 in E-flat by Mozart, K. K282, which starts with a slow movement (the only one besides the Turkish as far as I can remember). As shown on line the Sonata is unusual in ending softly.
He then plays the Impromptu #2 in A-flat of Schubert, Op. 142 (opus numbers not in sequence). Then he gives us a Brahms Waltz in A-flat, Op. 39, #15, and concludes with a “Dedication” by Robert Schumann, as transcribed by Franz Liszt. It sounds familiar and fits Pandolfi’s somewhat exhibitionistic style.