Tuesday, August 29, 2017
Monday Night, WETA FM broadcast a March 22 concert from the National Gallery of Art, “Three By Three: The Music of Amy Beach”. The cellist was Rachel Young, with Alexandra Osborne, violin and Lisa Emenheiser, piano (older writeup).
The program started with the Five Pieces for Cello and Piano, which are “La Captive”. “Berceuse”, “Dreaming”, “Pastorale”, and “Mazurka”. On YouTube, I-Hsuan-Hsieh plays them.
Then they played the massive Violin Sonata in A Minor, Op. 34, in four movements, composed in 1896. The style is Brahmsian, and wants to be a full violin concerto. The work runs 33 minutes, with four movements. The Largo, in the dominant E Minor, is the third movement, and is a massive post-romantic slow movement. The Finale has an intricate fugue before a triumphant conclusion on the tonic A Major.
The YouTube video above was filmed at Indiana University in Bloomington with Justin Bird, piano; the violinist is not identified.
The concert also played the Piano Trio, but that was reviewed here May 23, 2016.
Monday, August 14, 2017
On Sunday, August 13, 2017 the First Baptist Church of the City of Washington DC performed an anthem by Ludwig van Beethoven, “The Heavens Are Declaring”, in C Major, with Lon Schreiber directing the Chancel Choir and soloists Kelly Curtin and Aurelio Dominguez.
I cannot find an opus number for the work or any indication that it is extracted from a larger choral work. The most definitive reference is here.
Later Schreiber played an independent Scherzo by Beethoven, not obviously extracted from any larger work (Sonata or Symphony), no opus number.
But both pieces are familiar to my ear, even since boyhood.
By comparison, Haydn's "The Heavens Are Telling" does come "The Creation".
The First Baptist Church has been offering breakfast Sunday mornings in August for the “Faith in Action” series of common Sunday school lessons. The teacher had been to Charlottesville Saturday.
Sunday, August 06, 2017
Here is a 100-year-old pianist, Randolph Hokanson playing Scarlatti and Chopin at a retirement center in Seattle.
Wikipedia attribution link for Seattle picture.
Tuesday, August 01, 2017
Vox Media and Ezra Klein posted a 6-minute video explaining the compositional techniques of Hanz Zimmer in some of his scores, especially the recent film Dunkirk, here.
The video explains some compositional techniques like the Shepherd’s Tone.
These are probably used by other younger modern composers. I sent the link along to the Metropolis Ensemble in New York City.
The music is particularly interesting in Christopher Nolan’s films, which often deal with ambiguities in time and reality layer.