Sunday, July 30, 2017

Sebastian Letocart's Prelude and Fugue in G for Organ



Here is Sebastian Letocart’s Prelude and Fugue in G Major for Organ,  played by Edward Vanmarsenille at the Bruckner Organ of Saint Florian in Austria.  


The embedded video is a recent 2017 recording.  There is an older 2011 recording.   The Prelude has a fast section, and the Fugue starts at about the 4 minute mark.  The Belgian composer has said that in some of his music he was influenced by Vaughn Williams (sort of the world of the Fourth Symphony), but there is a density here that suggests Reger and also shows the composer’s (he calls himself “Tracotel” on Facebook) work with Bruckner.

Sebastian has some YouTube postings of some other Bruckner symphonies with “appropriate tempi”.  Here is the Fifth, taken a bit faster, with some new inner voices at the very end.

Here’s a video about the largest pipe organ in the world, in Donald Trump’s Atlantic City. 

Tuesday, July 18, 2017

Bowden's very British-sounding Trumpet Tune


Charles Higgs plays Atlanta composer Nicholas Bowden’s Trumpet Tune in D-flat Major.


The piece sounds very British to me, almost like an Elgar Pomp and Circumstance March.
  
Lon Scrhreiber played it as a postlude Sunday at the First Baptist Church in Washington DC. 

Monday, July 17, 2017

An interesting concert overture (or "Symphonic Prelude") attributed to Anton Bruckner



Here’s curious piece: a Symphonic Prelude in C Minor, 7 minutes long, conducted by Neeme Jarvi with the Royal Scottish National Orchestra, believed to be composed by Anton Bruckner as a young man in his 20s.  Already it has the daring chromaticism of his later works, and outlines his compositional output.


However brief, this piece is a complex Sonata structure with three themes (like the symphonies) anticipating motives in his symphonies.



The piece is paired on a Chandos CD with the Mahler Symphony #6 in A Minor.  I have two recordings of that work, an RCA record with Leinsdorf from the late 1960s, and a Sony CD with Maazel (paired with #7). I’ll come back to this work later, but it didn’t become respectable until Bernstein started playing it in the 1960s. When I was in the Army at Fort Eustis in 1969, one of the other guys (from Berkeley) was familiar with the work. 

Tuesday, July 11, 2017

An audience participation movie in Gatlinburg


I’ll write a little blurb about this attraction in Gatlinburg TN as a “stage” event, maybe because I don’t have a recent post here.  It’s the “Shoot ‘em’ Up Cinema”, where people mount a mechanical horse, take a six-shooter, put on VT 3-D glasses, and ride through a movie experience where they can shoot outlaws.


The attraction now describes itself as 7-D.   I know that the Newseum in Washington has 4-D – I think odor, earthquake, maybe moisture count.

It was an interesting experience, to see how well the commercial part of Gatlinburg has recovered from the surrounding wildfire of Nov. 2017.

Nearby Pigeon Forge has a lot of “model world” attractions, like a replica of the Titanic and a model of Hollywood (like a little Vegas).